cover image: The Jat Uprising, 1809-1829 (Attack on the British Camp)

20.500.12592/t6gtqm

The Jat Uprising, 1809-1829 (Attack on the British Camp)

1 Jan 1973

This painting is titled The Jat Uprising, 1809-1829 (Attack on the British Camp). It is painted by M. R. Acharekar (1907-1979) using pencil, watercolour and tempera on paper. The painting is one of the 52 works M. R. Acharekar was commissioned for on the commemorative occasion celebrating the completion of the first hundred years of the freedom movement (1757-1856). The painting is signed and dated 'M. R. acharekar, 1973' in English at the left bottom corner of the painting with brush. In 1809, the Jat community of the Bijwani region led a rebellion against the dominance of the British East India Company and were able to fight gallantly for a few days only. The rebellion came to end when the Jats were crushed by the British forces and there was peace until 1924. The Jats rose again in rebellion in 1924 on account of failed harvests and the decline in power of the British Company who were simultaneously engaged in the first Anglo-Burmese War. The Jats saw this as an opportunity to rise again and led attacks on several British camps. The Jats successful in resisting the British for some time however the rebellion was quelled. The artist describes the painting with a subtitle which reads-Attack on the British camps.
modern painting jat rebellion
Identifier
ngma-03663
Material
Watercolour, Tempera, Paper
Note
A Portraitist, watercolourist and an award-winning Film Art Director Murlidhar Ramachandra Acharekar (1907-1979) completed his Diploma in painting from the Govt. College of Maharashtra, Bombay. While still pursuing his education, he became involved in the discipline of Printmaking and Portraiture and soon opened up a lithographic press in Bombay. Post his education he was appointed as Junior Teacher at the Ketkar Institute of Art, Bombay in the year 1923. From 1932-34 he spent two years studying European Art and its techniques at the Royal College of Art, London. While studying in London, Acharekar was chosen to execute some very important commissions as painting the historical event of the inauguration of the Round Table Conference by his late Majesty King George V of the United Kingdom, in 1932 and the Silver Jubilee Celebrations of King George V in 1935, to name a few. Acharekar also emerged as an educator when his famed book called 'Rupadarshini, An Indian Approach to Human Form' was published in 1949; his other books mainly include pencil drawings/ images from Hindu Cave Temples of Ellora and Elephanta. His book 'Apostle of Peace' is a series of the artist's splendid pencil sketches of Jawaharlal Nehru and validates his brilliance as a portraitist. Acharekar was also an excellent watercolourist. The exhibition of his works in watercolour and tempera in 1973 depicted the first hundred years of the freedom movement (1757-1856) and was inaugurated by the then Prime Minister of India, Indira Gandhi. Acharekar is also known for his long-standing association and contribution to the Indian Cinema, his excellence in Art Direction won him many prestigious awards. Acharekar served as president of Cine Art Directors Association of India, Bombay and was President, Bombay Art Society, Bombay, from the years 1972-73. The artist was also awarded with the Padmashree in 1968 by the Govt. of India.
Pages
51.6 x 41.5 cm
Published in
India
Type
Painting