cover image: Makhzan al-asrar (Treasury of secrets) by Haydar Khwarazmi (d.1414?)

20.500.12592/1mz08j

Makhzan al-asrar (Treasury of secrets) by Haydar Khwarazmi (d.1414?)

1577

Manuscript; Makhzan al-asrar (Treasury of secrets) by Haydar Khwarazmi; ChaghatayTurkish in black and white nasta'liq script; 32 folios with a double-page frontispiece (fols.2verso, and 3recto), illuminated headings, 9 paintings (fols.1 recto, 10 recto, 12 recto, 14 recto, 17 recto, 19 recto, 22 verso, 24 recto, 26 recto), and a dated colophon (folio 32 recto); seals (fols.2 and 32 recto); inscriptions (fols.1 recto, 31 recto); standard page: 2 columns, 12 lines of text. Binding: The manuscript is bound in leather over paper pasteboards stamped with the name of Vever; the lower and upper covers both have a border of multiple fillets. Seals: (fols. 2, 31 recto, oval) his slave Muhammad b. Muhammad Riza Mahdi. Fol. 2 recto: "the book of Makhzan al-asrar of Haydar Tilba, copied by Ali al-Katib, the date of the month of Rabi' I." To 1908 Reza Khan Monif, Paris, France. [1] From 1908 to 1942 Henri Vever (1854-1942), Paris and Noyers, France, purchased from Reza Khan Monif, Paris, France on April 9, 1908. [2] From 1942 to 1986 Family member, Paris and Boulogne, France, by inheritance from Henri Vever, Paris and Noyers, France. [3] From 1986 Arthur M. Sackler Gallery, purchased from a family member, Paris and Boulogne, France. [4] Notes: [1] See Susan Nemazee, "Appendix 7: Chart of Recent Provenance" in An Annotated and Illustrated Checklist of the Vever Collection, Glenn D. Lowry et al (Washington, DC: Arthur M. Sackler Gallery, Smithsonian Institution; Seattle and London: University of Washington Press, 1988), p. 400. See also Glen D. Lowry and Susan Nemazee, "Appendix 2: Ledger of Acquisitions, 1894 and 1907-17" in A Jeweler’s Eye: Islamic Arts of the Book from the Vever Collection (Washington, DC: Arthur M. Sackler Gallery, Smithsonian Institution; Seattle and London: University of Washington Press, 1988), p. 229. [2] See note 1. [3] See the Agreement for the Purchase and Sale of the Henri Vever Collection of January 9, 1986, Collections Management Office. [4] See note 3. Arthur M. Sackler Collection Beauty and Belief: Crossing Bridges with the Arts of Islamic Culture (February 24, 2012 to January 13, 2013) Love and Yearning: Mystical and Moral Themes in Persian Painting (August 30, 2003 to February 22, 2004) Other Worldly Visions: Persian and Indian Paintings from the Arthur M. Sackler Gallery (March 27, 1998 to May 10, 1998) Crushed Lapis and Burnished Gold: The Art of Illumination (June 9 to December 8, 1991) A Jeweler's Eye: Islamic Arts of the Book from the Vever Collection (November 20, 1988 to April 30, 1989) International Exhibition of Persian Art (January 7 to March 7, 1931) Henri Vever (1854-1942) Reiza Khan Monif Francois Mautin (1907-2003)
iran art iranians muslims arts of the islamic world mautin, francois albert henri vever collection vever, henri nasta'liq script safavid period (1501 - 1722) s?afavid dynasty, 1501-1736 monif, reiza khan

Authors

Mir Ali Haravi (died ca. 1550)

Collection
Google Cultural Institute Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Dates
Safavid period
Format
Ink, opaque watercolor and gold on paper
Pages
H x W x D (closed): 33.1 x 21 x 2.1 cm (13 1/16 x 8 1/4 x 13/16 in)
Place Discussed
Khurasan, Iran (present-day Afghanistan)
Provider
Smithsonian Institution
Published in
Afghanistan
Reference
S1986.54
Rights
Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler
Source
Digital Public Library of America https://dp.la/item/3a079e6f8c24bbde0cf91bab75af15e6

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