figur, skulptur, staty, statue, sculpture

India Skulptur av vit marmor med rikt målad dräkt, främst i guld. Stående kvinna med framsträckta händer (har hållit i föremål). Föreställer Radha. Dessa statyer (5172, 5173) tillverkades i en av de verkstäder som fanns och alltjämt finns i gamla Benares/Varanasi, varifrån Hjalmar Stolpe också förvärvade dem. Dessa verkstäder erbjuder såväl antropomorfiska som icke antropomorfiska skulpturer (de senare en linga, som står för Shiva). Besökare, ofta pilgrimer köper dessa för att ta dem med sig hem till familjens altare, till bytemplet eller till ett större tempel i regionen. Östberg, Wilhelm (red.) (2002). Med världen i kappsäcken: samlingarnas väg till Etnografiska museet. Stockholm: Etnografiska museet Vanadis världsomsegling (1883-1885) 1887.08.5172+5173. Function: For as long as we have known, people have come to Benares to be able to meet the gods, primarily Shiva, but also to die, be cremated and be released from reincarnation. The city is filled with temples and holy places where gods have manifested themselves, and where one can obtain an “audience”, darshana, with them. You meet their gaze and bring your offerings. In circles, the routes of pilgrimage in the city encompass everything, successively, from the holiest sanctum in the innermost temple to the whole region, which is called Kashi by the pilgrims. The central temple is dedicated to Shiva as “Ruler of the Universe”, Vishanatha. As in Stolpe’s time it is jammed in, in the dense bazaar settlement, neighbor to the Jnana Vapi mosque. As well as for Hindus, Benares is a holy city for Muslims, Sikhs, Jainists and Buddhists. Hjalmar Stolpe must have walked the narrow lanes of Benares when making his acquisitions. Just opposite the western entrance to the temple lie shops and workshops where statues of marble in black and green kinds of stone are hewn, chisellled, polished, often painted and offered to customers. The majority of the artisans as well as the raw material come from Rajasthan. Jaipur Murtiwala (“The statue makers of Jaipur”) are probably biggest in the business today and might have been the case also at the time of Stolpe’s visit. He bought a number of statues mostly in white painted marble. Among them was the pair of Krishna and Radha. Acquisition Acquired by Hjalmar Stolpe during his circumnavigation on the ship Vanadis (which he had just left to be able to stay on longer in India). The huge Vanadis collections were first handled separately but were eventually to form one of the original major collections that made up the Ethnographic Museum. Why this is a masterpiece The objects may not be “masterpieces” in their own right, but have been chosen because of their meaning and usefulness to the museum. History of the Object The objects were fashioned in one of the workshops in old Benares/Varanasi, from which Hjalmar Stolpe acquired them. These shops offer anthropomorphic statues as well as non-anthropomorphic ones (linga for Shiva) which people buy and bring home for private chapels, village temples or temples of a more major kind. (Virtual Collection of Masterpieces, http://masterpieces.asemus.museum/Default.aspx) Fetish Modernity Fetish Modernity - Mystic Village 1887.08.5173 1887.08.5173 1887.08.5172+5173. Function: For as long as we have known, people have come to Benares to be able to meet the gods, primarily Shiva, but also to die, be cremated and be released from reincarnation. The city is filled with temples and holy places where gods have manifested themselves, and where one can obtain an “audience”, darshana, with them. You meet their gaze and bring your offerings. In circles, the routes of pilgrimage in the city encompass everything, successively, from the holiest sanctum in the innermost temple to the whole region, which is called Kashi by the pilgrims. The central temple is dedicated to Shiva as “Ruler of the Universe”, Vishanatha. As in Stolpe’s time it is jammed in, in the dense bazaar settlement, neighbor to the Jnana Vapi mosque. As well as for Hindus, Benares is a holy city for Muslims, Sikhs, Jainists and Buddhists. Hjalmar Stolpe must have walked the narrow lanes of Benares when making his acquisitions. Just opposite the western entrance to the temple lie shops and workshops where statues of marble in black and green kinds of stone are hewn, chisellled, polished, often painted and offered to customers. The majority of the artisans as well as the raw material come from Rajasthan. Jaipur Murtiwala (“The statue makers of Jaipur”) are probably biggest in the business today and might have been the case also at the time of Stolpe’s visit. He bought a number of statues mostly in white painted marble. Among them was the pair of Krishna and Radha. Acquisition Acquired by Hjalmar Stolpe during his circumnavigation on the ship Vanadis (which he had just left to be able to stay on longer in India). The huge Vanadis collections were first handled separately but were eventually to form one of the original major collections that made up the Ethnographic Museum. Why this is a masterpiece The objects may not be “masterpieces” in their own right, but have been chosen because of their meaning and usefulness to the museum. History of the Object The objects were fashioned in one of the workshops in old Benares/Varanasi, from which Hjalmar Stolpe acquired them. These shops offer anthropomorphic statues as well as non-anthropomorphic ones (linga for Shiva) which people buy and bring home for private chapels, village temples or temples of a more major kind. (Virtual Collection of Masterpieces, http://masterpieces.asemus.museum/Default.aspx) Fetish Modernity Fetish Modernity - Mystic Village India